The music examples have been transformed with 56 kbit into the
MPEG-3-format (MP3). This results in a certain loss of quality,
however, you can listen to the examples directly. For downloading,
please press the right mouse key (Windows) respectively press the
mouse key longer and then select "Save as …" (Mac).
Downloadtime: At 56 kbit-line: approximately same time as the
music examples ISDN (128 kbit): approximately 40 % of the running
time ADSL (256 kbit): approximately 20 % of the running time
|
• Sonatas for Lute und Violin by Friedrich Wilhelm Rust
and Bernhard Joachim Hagen
Myrtha Indermaur - Baroque Violin Andreas Schlegel -
Lute
Sound examples:
B.J. Hagen,
Sonate G-Dur, Vivace (Ausschnitt) B.J.
Hagen, Sonate G-Dur, Allegro con spirito - Amoroso (Ausschnitt)
F.W.
Rust, Sonate Nr. 1 in G-Dur, Romanza (Ausschnitt) F.W.
Rust, Sonate Nr. 2 in d-Moll, Allegro maestoso (Ausschnitt) F.W.
Rust, Sonate Nr. 3 in C-Dur, Aria con Variazioni (Ausschnitt)
|
|
|
|
|
|
• Andreas Schlegel - Laute Lute Luth Laúd Order
no. LC 0301, CHF 28.00 Total running time: 72:38 Robert de
Visée (ca. 1655 - ca. 1735): Suite en ré-mineur
(theorbo) Denis Gaultier (1597 or 1603 - 1672): Pièces de
luth en la majeur (11-course baroque lute) Sound example "0301
Atalante" Gigue "Atalante" (shortened) Johann
Sebastian Bach (1675 - 1750): Suite E-Major BWV 1006a (11-course
baroque lute) Sound example Menuet
(shortened) Pièces de luth en ré-majeur (pieces of
J. S. Bach and S. L. Weiss) (13-course baroque lute) Sound example
Sarabande from BWV1012
(shortened) A very personal CD with those pieces which have
accompanied Andreas Schlegel for some years now. Andreas Schlegel
was born in 1962 into a family of musicians. Education as lute
player at the Schola Cantorum Basiliensis and at the SMPV. From
1987 on intensive musical educational work (among others guitar
teacher, head of ensemble, manager of a music school and project
manager of the Aarau-region for the 7th European Youth Music
Festival 2002). In 1990 on behalf of Swiss Radio research on the
lute music played in Switzerland and recording of the CD
"Schweizer Lautenmusik - Lautenmusik aus Schweizer
Handschriften" ("Swiss Lute Music - Lute Music from
Swiss Manuscripts"). From 1998 on foundation of a small
publishing house and a recording studio including the label "The
Lute Corner". With the present CD his focus of work should be
guided back to playing.
|
|
• Schweizer Lautenmusik - Lautenmusik aus Schweizer
Handschriften (Swiss Lute Music - Lute Music from Swiss
Manuscripts) Andreas Schlegel, lute; Sara Maurer, soprano;
Roger Harmon, lute Order no. DRS 90.08.125, CHF 22.00, Total
running time: 66:28 Music from the 16th century, mainly from
manuscripts from the surrounding of the Basel University Sound
example Claudin
de Sermisy: Amy souffrez (shortened), versions of
Attaingnant and Amerbach Sound example Huldrych
Zwingli: Herr, nun heb den Wagen selb (Lord, now raise
the wagon) (shortened) French lute music from the first half
of the 17th century from manuscripts of Swiss mercenaries and
suite D-Major from Denis Gaultier Sound example Je
sers une dame (from the family von Erlach´s lute
book) There were quite a few prints with lute music from today´s
Switzerland: Rudolf Wyssenbach transcribed the "Intabolatura
di lauto del divino Francesco da Milano et dell´eccellente
Pietro Paulo Borrono" into the German tablature and published
the collection 1550 and 1563 in Zurich. In 1552, Hans Jacob Wecker
had his tenor and soprano lute book printed in Basel, of which
obviously only the tenor lute book has survived. Thanks to
concordances in other sources many of his duets can be
reconstructed. Gessner´s bibliography tells us that a Johann
Widenhuober printed a lute book shortly before 1548. Unfortunately
no copy seems to have survived. The manuscripts can be divided
into two main groups: student manuscripts originating from the
surroundings of the Basel University dating from the 16th century
and manuscripts from noble Swiss, who served as elite soldiers of
the "Gardes Suisses" (Swiss Guard) in France (first half
of the 17th century). The fact that from the over 1300 pieces I
catalogued only one originates from Switzerland, is quite
noticeable: a three-part set of the "Kappelerlied",
which was written by the reformer Huldrych Zwingli from Zurich.
All other pieces are either variants of musical platitudes (e. g.
Passamezzi) or imports from the surrounding countries. Switzerland
was neither in the 16th nor in the 17th century a country which
offered a sufficient breeding ground for a highly developed
culture. One depended on imports from other places of cultural
interests.
- Sold out -
|
|
• Die Laute im Barock (The Lute in Baroque) Thomas
Schall, Lute Order no. LC CD 0202, CHF 28.00 Total running
time: 71:27 Johann Gottfried Conradi: Suite C-Major (printed
1724) From the lute book of Virginia Renata von Gehema
(compiled ca. 1630): Suite d-Minor Esaias Reusner d. J. (1636
- 1679): Aus meines Herzens Grunde; Vom Himmel hoch, da komm ich
her; Nun komm, der Heiden Heiland Philipp Franz Le Sage de
Richée: Suite d-Minor (printed 1695) Johann Michael Kuehnel
(ca. 1670 - after 1730): Suite G-Major Sound example : Allemande,
Courante,
Sarabande
(shortened) Anonymus (Uppsala UUL Imhs 20:13): Suite As-Major
(Gis-Major) Gotthold Ephraim Sautscheck: Sonata XXI
SWV-XII-21e, Tombeau sur la mort de mon père SWV 1
Giovanni Zamboni Romano: Sonata G-major, Sonata g-Minor
(printed 1718) Thomas Schall was born in 1965 in Frankfurt am
Main and by profession is a programmer. Being a guitar teacher, he
came into contact with the lute music. Due to his interest in the
original instrument, he started playing the lute in 1990. He
learned to play the lute at Dr. Hoch Conservatory in Frankfurt,
his teacher being Sigrun Richter.
|
|
• Galante Lautenduette (Galant Lute Duets) Jürg
Meili & Thomas Schall, Lute Order no. LC CD 0101, CHF
28.00 Total running time 48:27 Corigniani: Concerto a due
Liuti Bb-Major TONBEISPIEL Adagio
(shortened) Adam Falckenhagen (1698 - 1754): Duetto in F-Major
Anonymus: Duetto in F-Major Joachim Bernd Hagen (1720 -
1787): Duetto in c-Minor Sound example Presto
(shortened) Sylvius Leopold Weiss (1687 - 1750): Duetto in
G-Major Johann Gleimius (mid-18th century): Sonata G-Major
Rarely heard literature! Juerg Meili was born in
Schaffhausen in 1957. By profession he is a guitar teacher in St.
Gallen. His interest in the lute arose during his guitar studies.
He later on learned the lute from Andreas Schlegel in Menziken and
is presently at the Schola Cantorum Basiliensis for further
education. Thomas Schall was born in 1965 in Frankfurt am Main
and by profession is a programmer. Being a guitar teacher, he came
into contact with the lute music. Due to his interest in the
original instrument, he started playing the lute in 1990. He
learned to play the lute at the Dr. Hoch Conservatory in
Frankfurt, his teacher being Sigrun Richter. The duo Juerg
Meili and Thomas Schall formed in 1998 during a reunion of the
Deutsche Lautengesellschaft e.V. (German Lute Society) in
Koenigstein / Taunus and since then they are making music
together.
- Sold Out -
|
Classic:
|
|
|
• Opernparaphrasen Luana Divertito & Dietrich
Zöller, flute Stefi Andres, piano Order no. LC CD 0303,
CHF 28.-- LISTENING EXAMPLE Luigi Hugues (1836-1913): Grand
Concerto Fantaisie sur des thèmes d’un Ballo in
Maschera (Verdi) • François Borne (1840-1920):
Carmen-Fantaisie pour flûte et piano (Bizet) • Albert
Franz Doppler (1821 -1883): La
Sonnambula, Paraphrase en souvenir d‘Adelina Patti (Bellini)
• Léo Delibes (1836-1891): Duo des Fleurs (Extrait de
Lakmé) • Albert Franz Doppler (1821-1883) & Karl
Doppler (1825-1900): Rigoletto – Fantaisie (Verdi) •
Louis Drouet (1792-1873): Variations sur "Nel cor più
non mi sento" de La Molinara de Giovanni Paisiello •
Paul Taffanel (1844-1908): Fantaisie sur le Freyschutz (Weber)
Themes from Operas as basis to virtuos music for the flute
|
|
• D‘Zyt isch do! (The time has come) Dialect
songs with lyrics by Josef Reinhart Silvia Huber, soprano,
Anna Merz, piano, Andreas Schlegel, guitar, monochord Order
no. LC CD 0001, CHF 22,00 / LC MC 0001, CHF 20.00 Total
running time 58:16 Sound example Casimir Meister: Meietag
(May day) (shortened) Sound example Alfred Frei: Mys
Briefli (Mys Letter) (shortened) Sound example Hans
Burkart: s
Herrgottsbrünndli (shortened) Sound example
Paul Hindemith: Tanzliedli
(Dance song) Settings from Casimir Meister, Alfred Frei, Carl
Hess, Eugen Papst, Otto Mueller-Blum, Friedrich Niggli, Emil Adolf
Hoffmann, Heinrich Pestalozzi, Hans Burkhart, Ernst Honegger,
Richard Flury, Paul Hindemith, Eugen Huber, Karl Schell and Walter
Lang. The CD was published on the occasion of the 125th birthday
of Josef Reinhart and comprises all of the well-known folk songs
and art songs with lyrics according to Reinhart, among others:
D´Zyt isch do, Dr Heimetvogel, Der Geissbueb, Lueg nit
verby, Im Bluest, Moecht no nes Bitzeli laebe, Han emol es Liedli
gwuesst, Trotzliedli (in versions of Walter Lang and Paul
Hindemith), Seufzer, ´s Herrgottsbruendli, D´Liebi. A
thorough booklet with an informative introduction as well as all
the lyrics rounds of this CD.
- Sold Out -
|
|
• Opera Choruses & Overtures Cappella dei Grilli
Opera Company; La Chapelle Ancienne Conductor: Enrico Fischer
Order no. LC CD 0105, CHF 28.00 Total running time 73:27
Pieces of Bedrich Smetana from "Die verkaufte Braut",
Richard Wagner from "Tannhaeuser" and "Der
fliegende Hollaender", Carl Maria von Weber from "Der
Freischuetz", Gioacchino Rossini from "Guillaume Tell",
Guiseppe Verdi from "Il Trovatore", "I Lombardi
alla prima crociata", "La Traviata" and
"Nabuco" Sound example Giuseppe Verdi: Gefangenenchor
aus „Nabucco“ (extract) Live recording
of a concert on 02. December 2001 in the "Saalbau Aarau".
Total enjoyment!
|
|
• Christian Seiffert: Piano à discrétion
(aktuelle Hits und Evergreens caféhausmässig -
Piano improvisations - current hits and evergreens,
café-atmosphere)) Order no. LC CD 0203, CHF 28.--,
Gesamtspieldauer: 61:46 Sound example Led Zeppelin: Stairway
To Heaven (shortened)
Hold On To Love (Larry Neek) • Claudia (Paco
d‘Rivera) • Something (George Harrison) • Jesus
Christ Superstar (Andrew Lloyd Webber) • Desafinado (Carlos
Jobim) • Matidisso (Abdullah Ibrahim) • Hey Jude
(Lennon/McCartney) • La Double Vie de Véronique
(Zbignew Preisner) • Uptown Girl (Westlife) • Every Step
Of The Way (Dave Grusin) • Earth Song (Michael Jackson) •
To Become One (Spice Girls) • Money, Money, Money
(Andersson/Ulvaeus) • Corcovado (Carlos Jobim) • Stairway
To Heaven (Led Zeppelin) • I Do It For You (Bryan Adams)
|
|
• Christian Seiffert: Klavierimprovisationen (Piano
improvisations) Live recordings of 8./9. May 1999 Order no.
LC CD 0302, CHF 28.00 Sound example Barock
(shortened) Düster • Barock • Dolce •
Modern • Jazzig • Meditativ • Ostinato •
Rubato • Poppig • A la Mozart • Blues
|
|
• Infinitos del Alma Punto Nazca (Music from Bolivia)
Order no. LC CD 0201, CHF 28.--, total running time: 38:09
Sound example Infinitos
del Alma (shortened) Camino de Llamitas • A mi
Madre • Te Dejo Ir• Velo de la Novia • Poema de la
Esperanza • Infinitos del Alma • Ojitos Chuqueños
• Raza Milenaria • Arriba los Pañuelos •
Terruño de mis Amores New music from Punto Nazca - a
fantastic mixture of traditional music and contemporary
approaches!
|
|
• Waritay Punto Nazca (Music from Bolivia) Order no.
LC CD 0106, CHF 28.-- Sound example El
guajojo (geshortenedkürzt)
Waritay • Bossa Andina • Anchata Munacuyqui •
Nina Rosa • Las Estrella Azul • Virgenes del sol •
Pituco • El guajojo • Puesta de sol • Yuraj tikita
• Nazca • La Vikina Traditional Bolivian music
combined with modern elements played by Punto Nazca. Music for
dreaming
|
|
In
2007, the Ensemble La Jalousie celebrates its 10th anniversary,
looking back at years of performances throughout Switzerland. This
ensemble originated in a whim, based on the musicians enthusiasm
for salon music. For years the have dealt with different styles of
this particular genre,with the ambitious intent to produce
entertaining music, while claiming a high level of chambermusic
proficiency. With a musical style ranging from?cheerful swing to
melancholy, they havem fashioned themselves into an important
ensemble within thegenre of sophisticated entertainment music.
As
mentioned before, the repertoire of this ensemble is extremely
diverse and ranges from Viennese waltz to foxtrot, from tango to
Latin music, from operetta to Revue. La Jalousie always tries
to?interpret the different musical pieces in the sense of
chamber-music. In this endeavour, the musiciansare especially
devoted to a balanced and even sound; rhythmic perfection and the
equality of all instruments are extremely important. The
unusual?instrumentation with an accordion allows for flexible
compositions and special arrangements.
The
present CD introduces a cross-section of the musical work of La
Jalousie. The three musicians manage to unite unforgettable
melodies, operettas by Strauss and Benatzky, and melodies
originating in Eastern Europe, as well as Astor Piazzolla's four
tangos, which he wrote according to the seasons in Buenos Aires.
Link:
www.lajalousie.ch
Sound examples: Nr.
2 The hungarian impressions of Jo Kühn is a famous standard
of the Salonmusik
ungarische
Impressionen
Astor
Piazzolla's four seasons interpreted with the approach to the
classical chamber music Nr. 6 Verano
porteño
Nr. 10 Die
Fledermaus A
wonderful potpourri of the Golden Age of the Viennese Operetta
from the King of Waltz, Johann Strauss
|
|
During
his last journey into Switzerland Felix Mendelssohn drew on 2 July
1847 the watercolour Luzern presented on the front cover of this
CD. In the mountains the composer sought to regain his?creative
energy which had waned due to the death of his sister Fanny. He
created the string quartet in F-minor, op. 80. In Lucerne he may
have had the opportunity to hear the organs of the Hofkirche
played (the Walpen organ in the choir of the church was a?newly
built instrument then!), possibly even to play them or at least to
admire the prospect of the Great Court Organ in all its enormity.
This
recording presents original compositions for organ the Sonatas I,
IV and V from op. 65 ? and in addition some transcriptions.
The
Midsummer-Night's Dream overture [Sound
example] was
composed in 1826, when Mendelssohn was seventeen years old. Its
original performance in 1827 was?the composer's first great
success. Our recording's new transcription of this overture was
made as an attempt to transfer Mendelssohn's brilliance in
composing symphonic music to the organ.
Mendelssohn's
most famous organ piece originated as a piece of orchestral music
the Wedding March from his music for A Midsummer-Night's?Dream. We
did not want to miss to include it in this recording, where it can
be heard in a new version for two organs. The trumpets are played
on the Walpen organ situated in the choir and thus sound from a
distance here.
|
Rock / Pop / Jazz / Folk:
|
|
|
• INORA: going down slowly Martin Hauri, vocal, piano,
drums; Jonas Bär, guitar, bass, vocal; Luc Pfeiffer, piano,
organ, vocal; Berni Schiesser, sax Best.-Nr. LC CD 0304, CHF
25.-- SOUND EXAMPLE going down
slowly • prodigal sons • drugs‘ n‘ bums
• normal • searching the sense • please •
clown • the thing is back • gib es her • my party •
hello More information on www.inora.ch
P.S.: The bass- and guitar player is alumni of Andreas
Schlegel.
|
|
|